Sunday 28 June 2009

A Calories-Don't-Count Tour of Brittany by Adela Meadows

I hate having my photograph taken…my father used to complain that in all my photos, I was hiding either behind a cat or a pair of sunglasses. So, unfortunately…at least for me…I was none too thrilled to find out that one of the initial requirements when one starts out as a guest blogger is the furnishing of a “head shot.”

Into the archives we go.

Daddy was right.

How ‘bout this one?

This one was a contender…but my hair was a mess and mousse au chocolat was smeared all over my face.

But I draw your attention to the fingernails! Not only do I not have the luxury of the use of spell-check…I write in a sort of “franglish” that short-circuits any attempt to use spelling assistance software…but those nails are a typing teacher’s nightmare!

I call them my bigoudènes.

See the resemblance?

Ahhh…but that particular photograph was taken on hallowed ground…the site of the original HB factory…the one started by Pierre Bousquet in 1708. A restaurant/wine bar is now in the very spot where modern-day Quimper pottery began!

And just look at what was uncovered during a 1988 remodeling project in an upstairs room of the building…an over-the-top faïence fireplace surround…painted circa 1875 by Henry Guihéneuc for the living quarters of Félix De la Hubaudière, then the Director of the HB factory. And the restaurant area downstairs is none too shabby either…offering inventive, market-fresh cuisine eaten amidst artwork that includes Quimper tile tableaux by Olivier Lapicque.

So you can see why it was a gleeful experience. Of course, I was not alone in my indulgence…

...here’s Mark …hard at work on his in-depth study of les profiteroles.

Les profiteroles are little bits of pâte à choux…cream puffs…filled with ice cream and then smothered in deep, rich chocolate sauce and topped with mounds of chantilly…whipping cream….not just any whipping cream, but French whipping cream.

(Remind me to tell you some day about my positively disastrous experience trying to prepare whipping cream in France…quelle horreur).

But I digress…back to les profiteroles. These are for you, Ruth!

So while I concentrate on mousse au chocolat...no need to adjust your computer...this is how it was served...

...moelleux au chocolat...

...fondant au chocolat...

...
anything with caramel au beurre salé...

and other such goodies...

... Mark puts the majority of his efforts toward les profiteroles.

It’s a difficult task…one that apparently requires a uniform of colorful shirts.

There are many different dialects within the Breton language, but as far as I know, there is no one specific word for “calorie.” This, since our food pyramid is seriously slanted toward desserts...

... makes our sojourns in Brittany even more delightful!

We are often asked for recommendations of restaurants and I can happily report that the food in Brittany is delicious and offers a huge variety of tempting delights…

...from galettes...
to agneau pre-salé...

...kouign amann...

...
to oysters…

...rouget barbet...

...to pizza...

...Breton artichokes...

...to Breton lobster.

You will find a staggering number of crêperies from which to choose. Our advice? Look for this symbol…

…which will signify an establishment that values the best in ingredients, preparation, and authenticity. Other crêperies can be good, however, and it’s really hard to go wrong…just as long as you are careful to avoid the ones that are part of a chain…the individual artisan crêperies are the best, by far.

Our favorite Quimper kouign amann is from the patisserie located where the Steir River meets the rue Kéréon. The location is a town landmark…

…on the side of the building overlooking the river is an original thirteenth century watchtower…situated at what had been the boundary between the land controlled by the Bishop of Cornouaille and that belonging to the Duke of Brittany…it was intended to act as part of a line of defense against invading forces.

You can eat within the patisserie, but this time, Mark chose to buy a whole kouign amann and take it to the little park in Loc-Maria across from the Paul Fouillen pottery factory…

…oblivious to everything else as he digs in, I attempt in vain to inform him that one whole kouign amann is supposed to be enough to serve eight to twelve.

One of Brittany’s Michelin-starred restauranteurs, Olivier Roellinger of Cancale’s Maison de Bricourt, recently announced his retirement…not from the restaurant business…but from Michelin competition. However, “foodies” who enjoy “star-grazing” can relax as there are several other Breton masters of haute cuisine. The father and son team of Jean-Pierre and Maxime Crouzil in Plancoët and the brothers Sébilleau in Pont-Aven, for example.

We have many favorite eating spots, but for classic Breton cooking, nothing beats the Blanche Hermine in Pleyben. We found it by accident. Well, we knew it was there as the spectacular parish close is right across the street and if you stand on the west side of the calvary to take a photograph…

…the restaurant sign shows within the sixteenth century archway. So we had seen the sign, but had never actually eaten there.

Until, one fateful day.

We were leading one of our Brittany Shop ‘n’ Tours and were returning to Quimper after touring the Monts d’Arrée and visiting the manor house...

... and gardens of Trévarez. It was a Sunday and getting kind of late. Where should we eat dinner? We take turns making that decision and, tonight, it was my turn to pick the restaurant!

We eat like normal folk during our tours; I don’t like the “special”…read “inferior”… meals that are served to bus loads of tourists tucked away in a back room before the place is actually open…I want to eat the real stuff amidst the authentique atmosphere.

The restaurants in Brittany all have their carte posted outside so it’s easy to see what’s cooking…plus that gives us the opportunity to verify that there is something for everyone at a price that is agreeable to all.

It was drizzling that day and when I hopped out of the van, the chalkboard listing of specials was illegible and the glass-encased carte was impossible to figure out through the water spots. As I struggled to relay some sort of information as to what might be in store to our merry band back in the van…out popped the proprietor, who promptly wiped down the glass in front of the carte so that I could read it! By this time, I was beginning to drip myself and the second I spied soupe à l’oignon avec muscadet, the decision was made.

Their onion soup is superb; their gambas…prawns…are phenomenal, and everything…down to the beverages…is Breton.

The Blanche Hermine...white ermine...is a member of the Confrèrie Gastronomique de la Marmite d’Or, an organization that recognizes the importance of regional cuisine and insists on the highest level of quality. There you will find honest, traditional fare that is amazingly delicious!

Marmites are a speciality of the house.

And…they just happen to make Mark’s all-time favorite profiteroles. He has pronounced their chocolate sauce as “the best” and the puffs are deliciously distinct…

...for they are made with blé noir…buckwheat flour…in the pâte à choux.

Well, that did it...now I'm hungry...so I guess it's time to take a break.

This will be my final blog entry…for July approaches and I must turn the reins over to Cerelle and Judy D. (That will give us time to anglicize the ingredients and measurements for the recipe for Mark’s saumon en croûte so we can send it off to you, Diane).

Before I go off to raid the laughingly Lilliputian refrigerator that is part and parcel of a Parisian pied à terre, I'd like to thank you for tagging along with us this month as we continue to explore the fascinating world of Quimper pottery…

….an Henriot faïence globe of the world created in 1937 by René-Yves Creston (1898-1964).

ken bremaik…(Breton for à bien tôt),

Adela, Mark, and J-P
www.oldquimper.com

Thursday 25 June 2009

A Farmhouse in Quimper by Adela Meadows

At first glance, it may appear to you that Jean-Pierre is just sleeping…

...but in reality he’s practicing…

…and he’s a firm believer in the old adage...

...“practice makes perfect.”

You see, we’ll be leaving shortly for our July Brittany Shop ‘n’ Tour and J-P has proven to be a great traveler…all he does throughout the entire seven hour ride to Quimper is sleep!

He really enjoys going out to what we call ar feurm , which is Breton for “the farm.” That’s because our home-away-from-home while we are in Quimper had at one time been an outbuilding on a farm.

Now, it’s kind of a mini-farm with goats…

...allow me to introduce you to Charlotte.

There are also hens and chickens. Here’s an entire poultry family…

…and there are several roosters to make sure Mark gets up early.

One cock-a-doodle-do is usually enough...

...but, since Mark is not a morning person, it's always a good idea to have a snooze alarm.

Surrounded by wheat fields and corn crops...

... yet still within the city limits of Quimper!

Quimper pottery is no stranger to goats…

...a plate from the mid-1800s, attributed to either the Eloury or Porquier factory…

...or chickens…as in this chick-form egg-cup from the HB factory, circa 1925...

…or roosters…

…lots of roosters.... ...these first three are from the first half of the nineteenth century...in keeping with their era of production, they are unsigned and thus, cannot be attributed to a specific manufacturer, but they are definitely authentic, early Quimper!

A Porquier-Beau scene featuring a rooster merchant...

...in the midst of making a sale to a lovely young woman from Brest.

This rooster is obviously on an HR Quimper plate...

...and this barnyard fight is found on an HB plate from the 1920s.

A jaunty rooster adorns an Henriot Quimper saucière...for serving gravy...
...and an Henriot plate from the early thirties. It is the work of Jos Kervella (1915-1956) who, as a young art student, frequented the Henriot factory during his school holidays. His studies included courses at the school of fine arts in Brest where one of his professors was none other than Jim-Eugène Sévellec.

Another version of an Henriot Quimper rooster motif from circa 1930.

Mark has rather large feet...let me tell you it's not easy to find a size 14 wide in France...so this rooster was instantly appealing...it's from the Henriot factory, circa 1925...

...and this double salt is actually from Desvres, but it has such great colors, I couldn’t resist including it!

Centuries-ago, the property had been part of a much larger farm…and the Seigneur or Chatelain, meaning the Lord of the manor, lived in this house…

The original property remains a farm as well, only it is much larger and a true working farm. There, the animals of choice are cows…

...and more cows...
There are cows in Quimper pottery as well…

The 2006 exposition on the works of Louis-Henri Nicot (1878-1944) held at Quimper's Musée de la Faïence included this figural group entitled L'Homme au Veau.

In 1929, Mathurin Méheut created Fouesnantais à la Foire...

A shelf-full of treasures on display at the 1999 Mes Plus Beaux Quimper exhibit...on the far left is a Quimper faïence milk can signed Pol...

...it is attributed to Pol Thépot who worked for the Henriot factory from 1927 to 1939...

The earliest written documentation pertaining to the property that I have been able to find is dated 1326. An early well remains…its surround carved from a single block of granite…but, as you can imagine, there have been considerable changes, upgrades, and remodeling done over the centuries.

For example, if you look at the roof line in this photograph…

…you can see that the side wall on the top left is higher than the existing slate roof. That’s because previously, the roof was made of thatch. Thatch is still used in Brittany and has a longevity that is similar, if not superior, to other modern roofing materials…

…a chaumière...or Breton cottage with a thatch roof...today...

...and one depicted in the late nineteenth century by Paul Gauguin (1848-1903).

Here, a Breton thatch “factory”…

...a plot of land we came across where rush is collected and set aside to age.

And here’s a building with a thatch roof on a piece of Porquier-Beau that combines bits and pieces from several scènes bretonnes…a wedding couple, a christening, and a wine merchant!

The style of depicting buildings in the motifs painted on Quimper pottery came with the arrival from Nevers of Pierre Belleveaux (1704-1743). Here are some examples...

...the decorative motif on an eighteenth century Quimper inkstand...

...a manor house motif on a small coupe from the mid-nineteenth century...

...a plate from that era...
...and a 1920s pichet from the HB factory.

The Nevers influence is part of the wonderful mélange of styles that shaped the destiny of Quimper pottery. The motifs and techniques from the south of France were first put to use in Quimper on an industrial scale by the founder of the HB factory, Pierre Bousquet (1673-1749). They were later combined with those of Belleveaux from Nevers and then subsequently mixed with those of Rouen after the arrival of Pierre-Clément Caussy (1724-1782).

This blending of influences eventually led to Quimper’s own and unique style…a style that has endured through the ages…just like ar feurm.